Categorie : Pitture
Titolo dell'opera : La Seine en amont de Rouen
Nome dell'artista : Armand GUILLAUMIN
Firma – Marchio : Si
Tecnica : Olio
Materiale princilape : Tela
Epoca di realizzazione : Secolo XIX
Paese di realizzazione : Francia
Stato : Molto buono
Numero aprossimativo di oggetti : 1
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STOPPENBACH & DELESTRE (Mercante d'arte)
25 Cork Street
W1S 3NB LONDON - Regno Unito
Tel : 020 77343534
Numero di fax : 020 74943578
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Indirizzo e-mail : contact@artfrancais.com
Sito internet : http://www.artfrancais.com
Fuso orario : GTM 00:00
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Dimensioni :
| Altezza : 49,00 cm |
Altezza : 19,29 in |
| Lunghezza : 65,00 cm |
Lunghezza : 25,59 in |
descrizione originale :
(Traduzione automatica)
La Seine en amont de Rouen. Armand GUILLAUMIN. Oil on canvas. Signed lower right. Guillaumin met Paul Cézanne and Camille Pissarro in 1859, when they were students at the Academie Suisse in Paris. He began his career as an avant-garde artist by exhibiting with them at the Salon des Refusés in 1863. He was also active in the Manet circle at the café Guerbois, from which Impressionism developed. Guillaumin developed his landscape style painting outdoors in the environs of Paris while employed on the Paris-Orléans railway. He frequently painted labourers and barges along the quay of the Seine.
In the early 1870s Guillaumin worked with Pissarro at Pontoise and also with Cézanne and Dr. Gachet at Auvers, where Daubigny also lived and worked. Guillaumin's mature Impressionist style, combining pictorial structure and shimmering light, evolved from his contacts with these artists and their shared aesthetic premises. Pissarro encouraged Guillaumin to exhibit alongside them in their first exhibition at the former studio of the photographer Nadar at 35, boulevard des Capucines, in 1874. Guillaumin sent three paintings to the exhibition whose paintings were dubbed the "Impressionists".
Provenance : Durand-Ruel, stock 12945
Terry Angels gallery
Private collection, London, bought 1964
descrizione originale : 
La Seine en amont de Rouen. Armand GUILLAUMIN. Oil on canvas. Signed lower right. Guillaumin met Paul Cézanne and Camille Pissarro in 1859, when they were students at the Academie Suisse in Paris. He began his career as an avant-garde artist by exhibiting with them at the Salon des Refusés in 1863. He was also active in the Manet circle at the café Guerbois, from which Impressionism developed. Guillaumin developed his landscape style painting outdoors in the environs of Paris while employed on the Paris-Orléans railway. He frequently painted labourers and barges along the quay of the Seine.
In the early 1870s Guillaumin worked with Pissarro at Pontoise and also with Cézanne and Dr. Gachet at Auvers, where Daubigny also lived and worked. Guillaumin's mature Impressionist style, combining pictorial structure and shimmering light, evolved from his contacts with these artists and their shared aesthetic premises. Pissarro encouraged Guillaumin to exhibit alongside them in their first exhibition at the former studio of the photographer Nadar at 35, boulevard des Capucines, in 1874. Guillaumin sent three paintings to the exhibition whose paintings were dubbed the "Impressionists".
Provenance : Durand-Ruel, stock 12945
Terry Angels gallery
Private collection, London, bought 1964
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